Thursday, 24 April 2014

Renditions of the Beat: A Resuscitation Recital

For Tectonics 2014 Vernon & Burns will attempt CPR (Cardio-Pulmonary Radiophonics) – a composition for Fetal Doppler, CPR training aid and found tape. Condition: not serious, unstable.

7.30pm, Friday 9th May, 2014.
Tectonics festival, St. Andrews in the Square, Glasgow.

Vernon & Burns contributed an article to the recent interactive digital publication, Kling Klang, produced for GI by the Queens Park Railway Club. Inspired by mix tapes, compilations and friends sharing music this publication offers an insight into the highly subjective relationships artists, performers and writers have with music and sound:
Queens Park Music Club, Volume one: Kling Klang.

A related audio mix is available here: https://soundcloud.com/vernonandburns/klingklang

Friday, 21 June 2013

Sinthome, The Poetry Club, July 4th

SWG 3, Glasgow, 4th July, 7-11pm, £5 

Music, spoken word and video with... 

Katherine Sowerby, Vernon & Burns, Michael Angus, Lauren Wells, Mark Lyken and John Butler.

Saturday, 15 December 2012

Children of Toasted Cheese

 Now available to listen online or download - the studio version of our live radiophonic performance commisioned by Tramway, Glasgow.



Monday, 8 October 2012

Data for the Doubtful at Tramway

Vernon & Burns present:  
Data for the Doubtful Part 7: The Children of Toasted Cheese 

Venue: Tramway 
Date: Friday 12 October – Saturday 13 October 
Location: Tramway 1 
Price: £10/ £7 

A new radiophonic work commissioned by Tramway, Glasgow. A live soundscape constructed from interviews with a number of different people about their dreams and sleeping habits, readings from Burns' longstanding dream diary and accompanying sound effects and music. The piece explores the internal space of the subconscious and the logic of dreams. 

Part of a triple bill of performances also including Lisbeth Gruwez | Voetvolk and Zoe Irvine and Pippa Murphy. 

www.tramway.org

Friday, 24 August 2012

The tune the old cow died of

Vernon & Burns prove to be popular with Belgian bovines...



"The tune the old cow died of" by Pacôme Béru & Yann Leguay

A listening session for cows , played on a simple turntable and removable loudspeaker which took place in a pastoral landscape reminiscent of old Flemish paintings. The title comes from the Vernon & Burn's record, played during the performance, which is also an English expression taken from an old rhyme:

"There was an old man, and he had an old cow,
But he had no fodder to give her,
So he took up his fiddle and played her the tune -
`Consider, good cow, consider,
This isn't the time for the grass to grow.
Consider, good cow, consider."

A field-performance realized on june the 20, 2009 at 4:43 am , near by : 50° 14' 24.05" N 4° 53' 31.22" E (East-Belgium)

For more details:

http://www.phonotopy.org/tune.html

Saturday, 18 June 2011

Summer School Presentation


Immediacy, intimacy, interiority & idiosyncrasy:
a radio collage by Vernon & Burns


For Summer School at the Transmission Gallery Vernon & Burns present an illustrated talk/listening exercise about some aspects of the creative use of radio.

To listen or download use the player or visit the link below:




http://www.archive.org/details/ImmediacyIntimacyInteriorityIdiosyncrasy

Wednesday, 16 March 2011

New LP 'Lost Lake' on Shadazz Records

Lost Lake sees the return of the collaborative project between radio art duo Vernon & Burns (Mark Vernon and Barry Burns) and Lied Music (Luke Fowler and John W Fail). It is a sequel to the long-sold out LP Lied Music vs.Boy-Band Tax Returns (released on Ultra Eczema, 2006). This LP merges musique concrète compositional approaches with absurdist improvisational strategies. The album showcases their tendencies towards primitive melodies with dissonant underbellies, carefully sculpted into liminal narratives. A series of sporadic improvised sessions using a diverse array of sound-making instruments (amplified toys and objects, guitar, analogue synths, percussion, squeeze box, field recordings and found tapes) were subsequently manipulated, tortured and caressed, both individually and collectively, into a series of highly idiosyncratic song-forms and sound collages.

www.liedmusic.co.uk


Perpendicular to love by Mark Vernon